In the tradition of The Great Escape and The Deer Hunter, Rescue Dawn is Werner Herzog’s take on the pulse-pounding POW genre. Unlike most such efforts, however, his isn’t just based on a true story, it’s a remake of his 1997 documentary Little Dieter Needs to Fly. German-born Dieter Dengler (Christian Bale, who first made his mark in Steven Spielberg’s prison camp drama Empire of the Sun) has longed to pilot a plane since he was a boy. When he joins the Navy during the Vietnam War, he gets his wish. Then he’s shot down over Laos. Though he survives, Dengler is captured by the Pathet Lao. Through his internment, he meets Duane Martin (Steve Zahn in his finest performance), with whom he becomes fast friends. While Dengler is arrogant and resourceful, Martin is patient and humble. With Dengler’s assistance, the prisoners escape, but the untamed wilderness turns out to be just as dangerous (cinematographer Peter Zeitlinger ably captures its cruel beauty). Those who’ve seen Little Dieter know how this tale ends. Suffice to say, Herzog’s reenactment makes for rousing entertainment. If the film has a flaw, it’s that the rah-rah finale plays like something from out of a mainstream sports movie. That quibble aside, the actors, including Jeremy Davies as a delusional campmate and Toby Huss as a fellow flyer, are aces. And Herzog, who’s been concentrating on nonfiction, like Grizzly Man, proves he can direct a Hollywood-style action epic with the best of ‘em. –Kathleen C. Fennessy

Beyond Rescue Dawn

Little Dieter Needs to Fly

Christian Bale Films

More from MGM

Stills from Rescue Dawn

Real-life story of a US fighter pilot Dengler, shot down and captured during the Vietnam War. Christian Bale as Dengler, plans a death-defying escape.

For stylish airs, no one came close to Christian Hosoi. At his peak in the mid-80s he was the “rock star” of skating, pulling down money that rivaled Tony Hawk’s paycheck. Innovating crazy vertical maneuvers like the “Christ Air,” Christian knew how to stoke an audience. Then it all came crashing down when Hosoi plowed into self-destruction, getting hooked on crystal meth and hitting rock bottom with a prison sentence for drug smuggling. Completely annihilated, Christian turned to the Bible for answers and found new strength. With lots of action footage and a slammin’ soundtrack, this gritty, inspiring film goes deep inside the world of skateboarding as seen through the incredible highs and lows of this legend’s life, revealed through never-before-released home movies and interviews with Christian’s family and friends including top skaters Jason Lee, Tony Hawk, Lance Mountain, Jay Adams, Tony Alva, Mark Ragowski and many more!

In this inspirational costume drama, Michael Apted (49 Up) recounts a period in British history sure to be unfamiliar to most Americans. In fact, his eye-opening biography of 18th century abolitionist William Wilberforce (Ioan Gruffudd) is likely to come as a revelation to many Britons, as well. After all, despite the presence of his wife, Barbara (Romola Garai), this isn’t a particularly “sexy” story, but it is a powerful one. The title comes from John Newton’s hymn “Amazing Grace” (“I once was lost but now am found”). Newton (Albert Finney) was a former slaveholder, who became a clergyman and spent his days repenting. While America had John Brown, England had Wilberforce, and Newton is one of many who helped the MP to abolish slavery in the UK. The story begins towards the end of Wilberforce’s mission when he’s sick with colitis and addicted to laudanum. Apted continues to alternate between 1797 and 1789, when Wilberforce was fitter and more idealistic, and ends in 1807 as his efforts come to fruition. Apted and writer Steven Knight (Dirty Pretty Things) do right by their hero. Unlike Amistad, however, slaves are largely off-screen, with the exception of author Equiano (Senegalese vocalist Youssou N’Dour). Amazing Grace reserves its focus for the politicians who risked their reps for the greater good, like Wilberforce and Prime Minister Pitt (an excellent Benedict Cumberbatch), and those more concerned with the income slavery provided their constituents, like Lord Tarleton (Ciarán Hinds) and the Duke of Clarence (Toby Jones). –Kathleen C. Fennessy

From the makers of Ray, AMAZING GRACE tells the inspiring story of William Wilberforce and his passion and perseverance to pass a law ending the slave trade in the late 18th century. Several friends, including Wilberforce’s minister, a reformed slave ship captain who penned the beloved hymn Amazing Grace, urge him to see the cause through.

The Nativity Story is a remarkable, if frustratingly restrained, act of imagining the tale of Christ’s birth as a flesh-and-blood drama actually set in Israel two millenia ago. Written by Mike Rich (Finding Forrester) and directed by Catherine Hardwicke (Thirteen), the film makes very strong impressions in a scene-by-scene way. Beginning with the slaughter (bloodlessly portrayed; this is a PG movie) of Bethlehem’s innocents under orders from a paranoid King Herod (a dark and knowing Ciarán Hinds), the film then jumps back a year to the prophecy that informs Zechariah (Stanley Townsend) that his wife, Elizabeth (Shohreh Aghdashloo), will bear a child. Meanwhile, Elizabeth’s cousin, the adolescent Mary (Keisha Castle-Hughes), struggles with her family to make ends meet and is promised to the carpenter Joseph (Oscar Isaac). Soon comes word to Mary, via an angel, that she will carry, while still a virgin, the long-awaited Messiah who will liberate the Jews from Herod and his Roman benefactors. Thus begins a detailed account of Joseph and Mary’s hard travel to Bethlehem, while three Magi spend months crossing the desert trying to rendezvous with some point below the convergence of three heavenly bodies in the night sky. Hardwicke and Rich anchor all this in period detail, though what proves most moving are relationship nuances, especially the friendship and trust that emerge between Mary and Joseph after he is told in a dream that she speaks truthfully about her miraculous pregnancy. While The Nativity Story should appeal to almost anyone as a straightforward narrative, it is far from a secular version of the familiar Biblical tale, and thus feels a bit stifled. It might have been nice if the film could have breathed a little more with imagination, but The Nativity Story makes up for it by ingeniously weaving hints of things to come, later in Christ’s life, into the action. –Tom Keogh

It was the cruelest of times. Under Herod’s torturous reign, families struggled to survive and yet, in the midst of utter turmoil, a young woman’s faith is put to the test. Join Mary (Keisha Castle-Hughes) and Joseph (Oscar Isaac) on an incredible journey of hope and discovery. Epic in its scope, yet intimate in it’s portrayal of this historical family, this “wonderful film” (Bill Zwecker, Chicago Sun Times) is “a family feature that will be cherished for years to come!” (Greg Russell, WMYD-TV, Detroit).

An epic in the spirit of THE PASSION OF THE CHRIST, this widely acclaimed motion picture is a meticulous recreation of the turbulent era of Jesus and the events that changed the course of history! Narrated by Golden Globe nominee Christopher Plummer (Best Supporting Actor, AMERICAN TRAGEDY, 2000), it’s the bold and powerful story of Jesus as told by his disciple John. The best-loved but least understood of the gospels, John presents a uniquely human portrait of courage and passion encompassing Jesus’ entire three-year ministry, the final years of his life. Intimate and reflective, THE GOSPEL OF JOHN offers an unparalleled opportunity to experience the incomparable life and times of Jesus Christ.

A LIFE-SIZED NATIVITY LEADS A MAN TO LEARN ABOUT HIS PAST AND LOST FAMILY.

Since the original publication of Chicken Soup for the Soul in 1993, the authors have been collecting and editing stories for this volume. These stories will deepen readers’ Christian faith and expand their awareness of how to practice Christian values in their daily lives–at home, at work, and in the community. Contributors include Corrie Ten Boom, Dick Van Dyke, Norman Vincent Peale, and many others.

Jack Canfield and Mark Victor Hansen, coauthors of the #1 New York Times bestselling Chicken Soup for the Soul Series are professional speakers who have dedicated their lives to enhancing the personal and professional development of others.

Jack Canfield and Mark Victor Hansen, coauthors of the #1 New York Times bestselling Chicken Soup for the Soul Series are professional speakers who have dedicated their lives to enhancing the personal and professional development of others.

the coauthors of Chicken Soup for the Surviving Soul, Patty Aubery, vice President of The Canfield Group, and Nancy Mitchell, director of publishing for The Canfield Group.

the coauthors of Chicken Soup for the Surviving Soul, Patty Aubery, vice President of The Canfield Group, and Nancy Mitchell, director of publishing for The Canfield Group.

Although Quentin Tarantino has cherished Enzo G. Castellari’s 1978 “macaroni” war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There’s a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol’ boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps–and he means that literally. Even as Raine’s band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as “The Jew Hunter.” Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale.

Now, this isn’t one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler’s den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It’s testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds.

Again, be warned: This is not your “Greatest Generation,” Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino’s latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled “golem” fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show “Adolf Hitler defeated by cinema.” Cinema wins. –Richard T. Jameson

Brad Pitt takes no prisoners in Quentin Tarantino’s high-octane WWII revenge fantasy Inglourious Basterds. As war rages in Europe, a Nazi-scalping squad of American soldiers, known to their enemy as “The Basterds,” is on a daring mission to take down the leaders of the Third Reich. Bursting with “action, hair-trigger suspense and a machine-gun spray of killer dialogue” (Peter Travers, Rolling Stone), Inglourious Basterds is “another Tarantino masterpiece” (Jake Hamilton, CBS-TV)!

In this classic devotional, John Calvin urges readers to apply the Christian life in a balanced way to mind, heart, and hand. Rather than focusing on contemplative otherworldliness, the book stresses the importance of a devotedly active Christian life. In style and spirit, this book is much like Augustine’s Confessions, Bunyan’s Pilgrim’s Progress, or Thomas à Kempis’s Imitation of Christ. However, its intense practicality sets it apart, making it easily accessible for any reader seeking to carry out Christian values in everyday life. Chapter themes include obedience, self-denial, the significance of the cross, and how we should live our lives today.

Golden Booklet of the True Christian Life has inspired readers around the world for more than four centuries. Now in paper, this classic devotional will guide you on how to apply biblical principles to everyday life. Originally part of John Calvin’s Institutes, the devotional covers themes such as obedience, self-denial, the significance of the cross, and how believers should live their lives today. Rather than focusing on contemplative other-worldliness, the Golden Booklet of the True Christian Life stresses the importance of a devotedly active Christian life. In style and spirit, it is much like Augustine’s Confessions, Bunyan’s Pilgrim’s Progress, or Thomas à Kempis’s Imitation of Christ. Its intense practicality, however, sets it apart, making it easily accessible for anyone seeking to carry out Christian values in everyday life. The translator, Henry J. Van Andel, competently preserved the colorful language and direct style of which John Calvin was a recognized master.